Now, if you’re in the process of job hunting and you’re searching for that elusive, nearly extinct creature called a career, perhaps you can also relate to some of these experiences that we performing artists go through on a regular basis in our search for work. Even when you’re fortunate enough to be in a show or you’re gigging regularly due to your own tenacity, you must always keep your eye out for the next opportunity to audition. This isn’t only important for maintaining your talent or keeping your face/name relevant to the public; it’s also important for you to earn money so that you can eat. It can be stressful. You wake up after a great but exhausting performance the night before, travel to an audition in another town or city that day, and then return to perform another show that night. Actually, that’s an ideal description of how it goes when you’re actually willing and able to support yourself as a performing artist.
If you’ve never done it, auditioning for any kind of role or gig can be extremely nerve-wracking. It’s exhilarating, nauseating and slightly embarrassing all at the same time. You’re putting yourself out there in front of a complete stranger (no matter how famous he or she may be, you still don’t know them personally) or a group of them. Within the span of a few uttered lines or a maximum of circa 7 minutes for a power aria to be sung, you’d better have impressed the pants off of the people you’re auditioning for. Well, I meant that figuratively, but these days, I’m starting to wonder. I’ve heard stories.
In any case, after a while, you may start thinking that a talent agent could do you some good. That way, you can save time searching for audition opportunities and just be notified by your agent when something possibly good comes up. Best-case scenario, you get the gig or the role, your agent gets a cut, and both of you are happily doing what you do best.
That’s what I was hoping for the first time I looked for a talent agent. I sent a professional head shot with a sample recording asking for the opportunity for a live audition. Fortunately, there were a few bites, and so I scheduled the audition dates. To save money, I chose the closest one first. I called the number and told the agent that I was looking for representation as a classical vocalist with a penchant for Broadway. He sounded completely excited and ready to add me to his client list. When I got there, I was expecting to see a professional dressed up in at least a jacket and nice pants. Instead, it was a clown.
Seriously, if you’ve ever seen the movie “IT” (“ES” in German), just imagine you’re already going to some stranger’s office, you’re nervous about auditioning so that you can get work, and on top of that, you’ve got Steven King’s love-baby staring expecting at you, patiently waiting to hear you flawlessly sing an aria by Saint-Saëns.
Ironically, I have never liked, enjoyed or trusted people in costumes off-stage. Moreover, I abhor clowns. My own mother has told me repeatedly that the reason why there are no pictures of me with Santa, Spiderman or any other character is because each time the opportunity came up, I was literally fighting for my life trying to get away from them. According to her, the first time this happened was when I was two and a half. And while I would run from the majority of them (there are a lot of them in the numerous amusement parks we have in Florida), for some reason, when a clown came along, I was ready to fight. Don’t ask me why. I couldn’t tell you. What I can tell you is that to this day, when I see anyone dressed as a clown – and I mean anyone – I must still repress the innate urge to punch that freak in the face.
So, I was at my professional best and worst when I auditioned for a clown. On the one hand, it’s pretty amazing to stand your ground, face one of your phobias and simultaneously sing a romantic aria; on the other hand, you might want to reconsider your career options when you find yourself auditioning for a clown, even in happenstance.
After I finished, he sat there with a goofy grin on his face (well, it was there the whole time), and he applauded and said, “Great. Just amazing. I’ll take you on. We even have a couple of shows lined up throughout next month. Uh, can you also sing Mariah Carey and Madonna?”
This was supposed to be a legitimate talent agency, I promise. As much as I respect and enjoy the work of both of these women, no, clown agent, I didn’t spend countless hours studying music theory and history in order to expand my repertoire to include Touch My Body and Papa Don’t Preach.
I gently reminded him that while I could sing those songs, I was looking for an agent to represent me for classical music and standards. And why was he dressed like a clown? Was it to try to throw potential talents off in order to test their resolve? I asked, naïvely optimistic and readily open to denial.
“Oh, ha ha, no, but that’s a good idea. I have a troupe of many performing talents and we travel throughout the country. I’m the MC and dress like this. We’re looking to legitimize the troupe some more, and that’s why we’d love to have you join us!”
This “talent agency” was a small-time circus. In the words of George Takei, oh my. Once Ronaldo saw the expression on my face, that goofy grin of his quickly waned. “Um, well, of course, you may want to take a couple of days to think about it. These are for you. If you’re interested, just call me back. We’d love to have you…”
He handed me a stack of karaoke CDs with German Schlager, Mariah Carey, Madonna, TINA TURNER, Whitney Houston and the Bee Gees. I still have those CDs in a shoebox in our basement.
This serves as a reminder as to why I will never like clowns.
Not long after, I made two very important decisions in my life: I would manage myself and I would go back to school in a non-music related field. I regret neither. So, if you find yourself in a situation that’s not ideal, just remember that it could always be worse and more absurd than you could ever imagine.
Happy career hunting!
xoxo CountryEuroCityMouse
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